With Triangle Point on one end:
Close-Up of Point:
Close-up of texture:
Observations: Need to design ahead of time where to cast off.
With Triangle Point on one end:
Close-Up of Point:
Close-up of texture:
Observations: Need to design ahead of time where to cast off.
Taken off the bobbins:
Into a half-pound hank:
Close-up of mohair shininess:
Observations: Not sure my drum carder has the right number of teeth in the cloth, as much of the mohair ends up on the licker-in drum if not covered by a thin layer of wool when entering the teeth. In the future may need to consider a finer cloth on the drum.
Observations: To properly mix the Willow the mohair goat with Bonnie, the Romney/Border Lesicester crosssheep, required 3 passes through the drum carder. After less-than-satisfying spinning, mixed/split the batts and recarded again – success. Approx. 40% mohair/60%long staple wool.
Got a few rows done on the entrelac scarf; about 2/3 done.
Close-Up of texture:
Composition:
Variegated squares: 2-ply, Handspun commercially-dyed Polwarth Combed Top; 2/3 Brown Suri Alpaca (no crimp) 1/9 Jenny (Border Leicester/Romney Cross) 2/9 Merino (local sheep, name unknown).
Brown squares: 50% Lydia the alpaca (huacaya presumed due to crimp) 50% Opal Border Leicester/Romney
Observations: Combed top is not as much fun to spin as something I prepared; commercially dyed top colors appeared different at home out of the package ( too much mixing was required to make the colors tolerable); suri alpaca requires an inordinate amount of mixing effort to be able to card; prefer to card and spin huacaya alpaca because it has some crimp; entrelac was difficult to learn but is quick and pleasant once it was figured out; entrelac is a good way to calm down variegated yarn; variegated yarn is too busy for my tastes.
First the test mittens made of commercial acrylic and cotton:
Second pair – given away before photographed.
Third pair: First mitten complete. Uses Natalie (light) and Opal (dark) Border Leicester/Romney Cross handspun.
Started second mitten:
Observations:
Learned stranded/two-color knitting, which makes for a thick, warm mitten; need to learn to spin more consistently, especially between different animals (Opal spun up much thinner than Natalie even though the staple length and breed are the same); fuzzy handspun requires simpler and larger motifs, as details are lost.
Left to right, in order of fineness of preparation: 100% BFL/DrumCarder (wasteful); 50% BFL/50% Jenny Border Leicester/Romney Cross (loss of loft); 100% BFL/Hand Cards (difficult to card); 100% BFL/Combs – Best result, least loss.
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